In my every day normal human aspect I work as a technology consultant, this infers that I am normally very well versed in a multitude of sciences that started with biochemistry, physics, mathematics, philosophy, psychology, biology, cytology, neurology, electronics, metallurgy, geosystems, computer programming and advanced graphics. My talents include arts such as painting, poetry, handcrafts and music.

My paranormal aspects are difficult to understand, but you seem to be an open minded person that can be trusted with such an information. Twenty two years ago I participated in multiple meditative arts driven by an internal force that was preparing me for something that could have shrunk me into a cracker nut if I was not well prepared to understand such a phenomenon. (I never had any affinity to any type of stimulation. I even hate gambling.)

When my meditation level advanced noticeably and I found the inner luminous sphere then I started being it and expanding beyond my body, I started to remember previous lives. My reincarnation frequency is a harmonic of 4000 earthly rotations around the sun, well years.

I remember that I was SHA-RA'-ON HE-MET-IS RA'--the high priest RAA. My sect believed in an infinite logical sphere that was a luminous force of life, the smile of which is the sunshine and rain are tears with thunder when weeping. The breath of which is wind.

The temple of light had seven branches all of them in upper Egypt East of the Nile at that time (The Nile's course has changed since then).

The main branch, that is my headquarters, was the most eastern and not so far from the red sea.

The temple of light was regarded as ultimately holy and seldom did any one dare to come near to the head quarters including monks.

This temple was much more ancient and built by extraterrestrial who left a huge diamond that defies formation on earth as a proof of their visit. The huge diamond was ultimately pure and cut into a rhombic dodecahedron. My predecessors taught me that it was that diamond that is holding all existence around it, and that it is the master beacon that harmonized the twelve beacons of the zodiac. The high priest who touches the diamond can communicate with infinitely remote beings and bring knowledge at will. The diamond was kept in the most inner room of the temple which was carved in a rock that I believe to be deeply buried under the sand of the desert know.

I also believe due to my current analytic mind that the temple was built on a natural magnet. (We have some of this phenomenon quite spread all over Egypt, and one of them is right under the road beside the citadel east of Cairo, where cars come to a stop and turn off the engines and release the breaks then the huge magnet will pull the car "UP HILL"!)

Before the Holy room of the dodecahedral diamond there is a levitation room in which a massive copper cylinder is  floating in the air. This cylinder is about six feet long with hemispherical caps. It has a reddish copper metallic luster thing and it is floating in mid air horizontally.
In full moon, this bar disappears, but I am sure it is still there and it always reappears later.!!!!

Before high priesthood was assigned to me, my mentor taught me that the bar was "growing"!!!! I was told that it was about one foot long or so thousands of years before.

Another position in this room is a black basalt stone on which I would sit for meditation only to find myself floating in the air in front of the copper cylinder.

I had no alchemical laboratory at this temple.

That was 12000 years ago, after history was lost and before history ever started again. 8000 years ago was my second reincarnation which amazingly is less clear in my memory, like I was always on the move in a nomadic style, hence I can understand why there is no strong memory associated.

It was 4000 years ago, that is approximately 2000 B. C. that I have another set of very vivid memories, much stronger than the level of dreams. It is this set of memories in which I came to know the Alchemy of the brilliant stone. I was in the priesthood again but not as a high priest of Ra'. I was then He-mat-'n Hur, and I remember to have discovered the red iron mountains in southern Egypt.

I made many medical research on blood and bleeding for war medications. It seems that I am bound to the red color and the white color for eternity. It is not far fetched that my name might be playing a role in many modern names.

So, then I was a scientist, and all scientists were priests. Yet, I remember to have had many women in my chambers as lovers and entertainers. Then, I was very rich, very close to the leaders and very handsome. So, I was not the type of priest who was isolated for pure meditation and cosmic connections but I did have a lot of thinking, creative inventions and discoveries, you see, it is in my blood.

I am most proud of Sha-Ra'-On He-Met-is Ra'.

But that is not all of me, and I seem to be more.

1) The Silver Moons - Two Silver Cylinders with Polished Ends

Make two silver rods, one inch (25.4 mm) in diameter, each with a perfect perpendicular cut.

[Insert image of silver rods here.]

Polish the end surfaces using the finest grade stone and water.

Dip briefly in ethyl alcohol to take away any grease.

Using pure distilled water, perfect the mirror of the one by the mirror of the other.

Use circular motion only to get the best result.

The end result should be two perfect mirrors of pure silver.

That should conclude the two Moons (Luna).

Protect the one by the other, because the perfect surface of the one matches that of the other. Keep the twins face to face in a dark and dry place.

There shall come a time when the moons should rise.
 

2) Perfection is the art of patience - Making Two Silver Cones

Cone Mold

Prepare a strong Silk thread or a stainless steel wire (0.5 mm is fine).

Prepare a sifted, fine-grade, clay dust; enough to fill twice the volume of 4x4x2 inches. That is to say the dry volume of the clay is 4x4x4 inches or 64 cubic inches. Put the clay in a wide bowl and add 32 cubic inches of distilled water. Mix it well then add another 32 cubic inches of distilled water and stir it clockwise only until you get a homogenous consistency then leave it overnight or until it acquires a plastic texture depending on temperature and humidity conditions of your laboratory.

Mark the centers of the copper sheets and drill a 0.5 mm hole in one of the sheets at the center. Cut a circle at the center of the other sheet with a radius of one inch ( 2 inches diameter).

Make a sandwich with the sheet of copper that contains the small hole at bottom, the clay--2 inches (48.8 mm) high--and the other copper sheet on top.

Drive the straitened wire from the bottom up and cut a cone from the hole to the circumference. Since the ancient way used a silk thread it is obvious that we thread it through the hole first, build the clay step and cover with the upper plate, then by stretching the thread we get perfection. The second privilege of the thread is that after cutting the cone, by a spiral motion towards the center while pulling the thread up we can extract the cone easily. The third privilege is that we can wet the thread by pulling it down into a dish containing water then pulling it up to continue our work.

[An image of the thread spiral cutting the clay might be nice here. Also an image of the finished conical hole in the clay with the copper still on top.]

The cone should be as perfect as possible and that might take some practice so do not let failure bend your will.

When the clay is dry, put it in the sunshine for three days to dry it further, then finally burn it in a furnace--600 degrees Celsius is optimal but the ancients did not care too much. What they did was to build a small wooden rack and stack, then put the clay with the conical cavity face down. Then they completed the wooden heap on top of it and put fire to it. When the fire had eaten the wood and the ashes cooled, they extracted the clay template to use it of our purpose.

Now you should be having a metallurgic clay template for molding our most perfect tool. Clean the conical molding template with a camel-hair brush like the one used for camera lenses. Heat the clay up to 100 degrees ( boiling point of water) for 15 minutes approximately. Plug the hole very carefully (lest you should break it) at the head of the cone cavity by a pure silver pin to be previously arranged.

Mold Cones

[Here an image of a silver cone on a gold background would be useful.]

The reason we did not make the cones directly is to give a good chance for testing the metal of the silver and to anneal it into a high degree of structural purity and atomic binding.

When the silver cone cools down we can set it free by pushing up the silver pin.

Repeat the molding to produce an identical twin of the silver cone.

Cone Rack

In a two inch section of a log 4 inches in diameter adhere two parallel V shapes 1/2 an inch apart. The V angel should be 60 degrease while the arms are 6 inches long. Support the // Vs from top at the both ends and from the bottom by gluing to a 1/2 inch spacer. Now your rack is ready. This Moon Rack might look like this:

Store the two cones in the rack with base facing base, that is face to face. The shining moons face each other.

The conical shape of the silver moons is ultimately important because the distribution of the forces is a natural perfection that shall be a blessing in further operations that would otherwise be impossible. Use pure distilled water to perfect the mirror surface of both bases of the cones. Again, I repeat, by circular rubbing, using friction, the faces at the bases can perfect each other while pure water caries away the imperfections. You should not satisfy to any result but the one in which you look through the mirror of the base--the face of the silver moon--and swear that it is not there.

Should you drop a cone by mistake or scratch the mirror surface by lack of care then alchemy is not for you--unless you understand that you have lost what you had and reconstruct it from the creation stages.

This concludes the first treasure. The marvel of perfection of the two moons. The mirror which is there but when looked through, one can swear it is not there.

3) Gold Plate

In the perfection of Gold, it so happens that the Egyptian measurement is still dominating the world until today. We used and still do use a scale of 24 measures. Every measure is a degree of purity. The purest Gold types! Fall under 24 measures category (24 carats). The question here, if we are talking about 100% pure Gold, how could be there more than one type? Naturally, traces of impurities of noble metals such as platinum or iridium or rhodium are quite acceptable in gold varieties, but no, we are talking about pure Gold and yet of different types.

Gold, in the world of metallurgy, is sensitive to the way in which it was forged, the temperature of heating, the time of cooling and the elevation from sea level. Gold is extremely sensitive to almost every physical phenomenon including the magnetic fields. These physical quantities affect the lattice structure of gold, hence it's appearance, softness, smell! (I can smell gold) and color.

Modern science has found a strong relation between metallic structure, stress and surface color; not only in gold but in almost every metal. But particularly gold is more sensitive. The Ancient Egyptians did not regard gold as just another metal, no, we believed that gold is alive, is breathing and is conscious.

Annealing is one of the most profound ways of purification where the molecules are given a free chance of rearranging themselves and even kicking out foreign elements. This can be compared to the way that we sweat out toxins.

Our target, in this part, is to make a golden tray plate 12 inches in diameter with a rim one inch high. This is done in two steps where we make the outer rim in a rim groove, then we make the plate and add the rim while the plate is still liquid. This, if manufactured from any gold 24 after annealing 7 times shall always give exactly the same result and a perfect surface under the force of gravity.

The thickness of the Gold tray in the ancient times is as 3 to 5 mm (1/10 of an inch to 2/10 of an inch) in our current measurements.

The Gold Tray is a symbol of life, power, creation and RA'. It is treated as the most holy being in the temple of light.

Interestingly enough, the Christian church took the same identical rituals from the ancient Egyptians, so if you want to see the style of handling the Golden objects of the temple of light, just go to any Orthodox Coptic church in mass time. They even use imitation gold objects and grails and trays for prayers. They use grails for blood and trays for . . . Bread. The relation between the tray and the bread is more than significant. While Christianity puts one body of one child of God in the tray as bread, the ancient Egyptian regarded the inseminated Gold as many children of RA'.

This concludes the third section.
 

4) The Philosophers Stone

Oil of Gold

The semen of the gods is produced by friction between silver and gold in the presence of water.

This Gold is in the form of a flat plate with a thin layer of water (1mm) above the surface.

Silver is in the form of two cones. The base of each is mirror soft.

By applying pressure by each hand to a cone of silver and rotating the right at clockwise and the left at anti-clockwise directions, the potential difference of the life force from the body, due to the rotational movements and through the conductive silver, penetrates the gold plate and establishes a primordial current.

[An image of the gold tray and two silver cones with circular arrows showing clockwise and counterclockwise motion would be attractive here]

The molecules of water, being polar in nature, behave in a special way under the life force current. The delta positivity from the hydrogen protons is attracted to the solitaire electrons of the Gold atoms of the surface.

The force of friction from silver, being harder than gold, shall remove, little by little, a few atoms from the surface of gold.

By a continuous operation, the golden atoms released in water shall collect all hydrogen towards the Gold atom leaving oxygen on the outside, this should catalytically induce more free atoms until the water becomes inseminated. At that stage the repulsion between the negative oxygen atoms causes the Golden semen to form a gel state that was called sometimes the white cream or grease or oil. It was found that such a cream shall float on the surface of the excess water.

The first three batches that are produced from the plate are not for ingestion but they are perfectly suitable for use as ointments and skin treatment.

In the original design there were two upright gold cones at positions (outer and between 11 & 12 O'clock) and (inner and between 11:30 & 12:30). These two gold cones are identical in size to the silver cones and integrated into the tray.

We called them "Khart-arn" the horns of the rhino. They functioned as the descending ramps for the moons. By advancing the right and silver cone (moon) by sliding it on the left hand cone, then touching the gold cones simultaneously, we can ramp the moons down to the surface in a glorious and perfect technique.

The "Khart-arn" serve as ramp up as well when the job is finished, or how can one expect to lift mirrors off mirrors with a conical handle? That is almost impossible in presence of the gel and the atmospheric pressure will deny extraction.

Black Earth

The Black soot is collected by a special curved funnel.

If we control the chemical operation in a modern chemical tradition then every atom of carbon reacts with two oxygen atoms and forms CO₂ or carbon dioxide which was originally associated with 4 Hydrogen atoms and thusly 4 Gold atoms at a single valence.

When the Divine semen adheres on the surface of the soot granules and is then boiled, carbon dioxide is liberated.

The Hydrogen Aurate at normal temperatures will naturally decompose to molecular hydrogen and an intermediate diatomic gold that shall dissociate with an increase in electronic spin and become inert with no valence electrons.

This state of Gold is the brilliant white known as the Philosopher's Stone.

This Godly material has the power of cold fusion, element conversions and inter-dimensional communication. It has magical side effects that have been reported to be unpredictable.

Although I have written honestly and as simple as possible, many shall fail to understand and find the way to make the stone.

The Gel Collection Ritual

The mixing of the white and the black ritual.

The decoction ritual.

The waiting ritual.

The distribution ritual.

The ra' hailing rituals.

SHA-RA'-ON HE-MET-IS RA'